Новітні мистецькі проекти в арттекстилі України

Abstract

У статті досліджено особливості розвитку арттекстилю України в контексті новітніх мистецьких проектів. Увагу звернено на значну активізацію виставкової діяльності. На прикладі всеукраїнської трієнале професійного текстилю проаналізовано провідні експериментальні риси і тенденції у творчості вітчизняних митців. Вивчення стилістичних особливостей творів виставкового плану показало, що автори шукають різних творчих підходів, експериментують із формою, структурою, фактурою.

В статье исследованны особенности развития арттекстиля Украины в контексте новейших художественных проектов. Внимание сосредоточено на значительную активизацию выставочной деятельности. На примере всеукраинской триеннале профессионального текстиля проанализированно ведущие экспериментальные тенденции, имеющие место в творчестве художников. Изучение стилистики произведений выставочного плана показало, что авторы ищут различных творческих подходов, экспериментируют с формой, структурой, фактурой.

In this paper the peculiarities of Ukrainian art textile development in the context of novel art projects are investigated. It is established that exhibition activitiy is a characteristic feature of modern art textile, since exhibitions, plein-airs, biennales and triennials stimulate the development of this form of art. Textile projects demonstrate the innovation of form, material and content in the works of art and show wide range of topics as well as virtually infinite technical variations. On the example of all-Ukrainian triennial of professional art textile which is periodically held in Kyiv and brings together the authors from across the country, principal experimental features and tendencies that occur in the works of modern Ukrainian artists are analysed. In is emphasized that professional artists are in continuous search of new opportunities for implementation of their concepts. Novel tendencies that have entered into traditional textile art not only changed the latter but determined novel perception of modern textile art. Stereotypes change in perception of textile works and art objects in general is particularly outlined. The study of art and style peculiarities of works indicates that authors look for different creative approaches, experiment with form, structure and texture. It is proved that one characteristic feature of the works is the integration of textile and non-textile techniques. The point is made that curators are among the crucial engines of progress in creative activity. Curator leads the process of modern exhibition arrangement, develops the concept of exhibitions and brings up thematically oriented task to artists. It appears that it is curators who, to a large extent, define further development of art. The paper states that all-Ukrainian triennial of art textile in Kyiv allows to bring closer geographically distant regional schools of Ukraine. A characteristic feature of the triennial is the participation of the authors of different age. Experienced authors show high culture of the craftmanship serving as an example for younger generation of creative artists. It is found that the triennial attracted significant attention of professional community and was warmly met by wide audience. It is declared that the use of national traditions, that are looked at through the prism of modern times, is the constant source of inspiration for many modern authors. The representation of traditional art in new interpretation is done by using a variety of materials, synthesis of approaches and techniques. Large number of participants, art works and concepts as well a s wide spectrum of representation forms allows to conclude that all-Ukrainian art textile triennial is relevant not only as a novel space for art works exhibition but also as a platform for experience exchange and creative cooperation.