До проблеми виконавської діяльності естрадного вокаліста: психологічний аспект

Abstract

У статті окреслено ряд проблем, пов’язаних із виконавською діяльністю вокаліста, завданнями якого є вміння правильно дихати, домогтися чіткого артикулювання, відтворювати ритмічну та інтонаційну сторону композиції. Виокремлено питання, пов’язані з передачею художнього образу в потрібній вокальній манері, сценічним оформленням та дотриманням технічних аспектів виконавського процесу. Запропоновано використання копінгу, який служить адаптивним механізмом, що підтримуватиме стан емоційної рівноваги, впевненість у власних силах та сприятиме нормалізації професійної музичної діяльності.

В статье обозначены ряд проблем, связанных с исполнительской деятельностью вокалиста, задачами которого является умение правильно дышать, добиться четкого артикулирования, воспроизводить ритмичную и интонационную сторону композиции. Выделены вопросы, связанные с передачей художественного образа в нужной вокальной манере, сценическим оформлением и соблюдением технических аспектов исполнительского процесса. Предложено использование копинга, который служит адаптивным механизмом, будет поддерживать состояние эмоционального равновесия, уверенности в собственных силах и способствовать нормализации профессиональной музыкальной деятельности.

The most important part of the performance is the concert. However, not all have the required level of stress resistance, which would not affect the overall level of sound work. Similar requirements must be put forward by all performers, but if you talk about pop vocalists, then insufficient psychological mood can affect not only the level of vocal skill, but also the overall picture of the performance, which should attract the public and cause her positive reaction. The upbringing of the psychological mood for a concert performance should take place from the earliest age. Systematic participation in concerts, competitions, festivals should be perceived not as an excuse for excitement, but as an occasion to demonstrate their own abilities. The stage of formation of vocal education on a professional level was quite long. In many ways, pedagogical guides were predetermined by a number of socio-cultural factors. So, if you turn to the history of vocal art as a form of performing skill, then at the time of the establishment of the early operas there were completely different requirements, rather than being nominated by the opera singers of the XXI century. Early Italian operas were performed in small halls, accompanied by, as a rule, a small ensemble consisting of string instruments. The range of vocal parties was close to the linguistic, prevailing gradual movement. The presence of technical devices changes the disposition between the beginning of the sound and the final result. If, during execution, the signal transmitted by the performer to the microphone changes, changing the volume amplitude too high, this may affect the sound engineer being unable to produce a consistently good result. Due to the imperfection of the sound received, the vocalist may even worry that it will further degrade the overall impression of his singing. Accordingly, the sound of a voice that has the following attributes, such as: flexibility, stability, softness, timbre-uniformity, absence of jumps dynamically, will be perfectly perfect. Consequently, the relationship between psychological attitudes and performance is inseparable and ambivalent. If we try to isolate the ways to overcome stress, then the most important thing will be the awareness of the problem. So among the factors to be considered, one can highlight the importance of understanding the consequences, focus and orientation on a quick reaction, in the event of a stressful situation. Performance of the vocalist is connected with a number of problems. The tasks of the singer are the ability to breathe correctly, to achieve clear articulation, to play the rhythmic and intonation side of the composition. In addition, there are issues related to the transfer of artistic image in the right vocal manner, stage design and compliance with the technical aspects of the performance process. At all stages, there may be stressful situations that will be caused by internal and external factors. As an exit, copying is proposed, which acts as an adaptive mechanism that will maintain the state of emotional balance, maintain self-confidence and promote the normalization of professional musical activity.