Специфіка ролі флейти в інструментальних камерних творах Олега Безбородька

Abstract

У статті досліджено специфіку ролі флейти в інструментальних камерних творах сучасного українського композитора Олега Безбородька. Охарактеризовано творчість даного автора, який використовує новітні тенденції, що охоплюють інтерес до такої техніки сучасної композиції як сонорика. Композитор переосмислює роль флейти залежно від обраного виконавського ансамблю. Звернено увагу на найновітніші прийоми гри на флейті, що значно розширюють можливості її використання.

В статье исследована специфика роли флейты в инструментальных камерных произведениях современного украинского композитора Олега Безбородько. Охарактеризовано творчество данного автора, который использует новейшие тенденции, включающие интерес к такой технике современной композиции, как сонорика. Композитор переосмысливает роль флейты в зависимости от выбранного исполнительского ансамбля. Обращено внимание на новейшие приемы игры на флейте, значительно расширяющие возможности ее использования.

In modern Ukrainian musical culture is given considerable works for flute. The large variety of genres that offer contemporary composers, differently interpreted this tool, the selection of which can be caused by specific timbre colors, a large range of sound, a broad palette of tricks to it, individual author’s style of performance, or even order. In the works of contemporary composer Oleg Bezborodkо flute works occupy almost a third of the entire heritage. Analysis of the specificity of creative activity of leading Ukrainian composer has not yet paid enough attention in theoretical musicology. Special attention needs to highlight the problem of interpretation flute by O. Bezborodko in works that expand our understanding of the trends and tendencies of Ukrainian academic music culture of today. Each composer in the way of his creative development is the way to self-determination. Awareness mains authors own guidance may take some time. However, there are composers who demonstrate commitment to any particular direction or trend of performing from the beginning of his life. So O. Bezborodko prefers instrumental works that are as large genres such as the symphony, concerto and chamber – duets, trios and quartets. Among the latter clearly distinguished chamber flute works: duo two flutes “Two ousted Desire” (2002), “Mignonettes” of work “Mignonettes et Poemettes de Notre Temps” for cello and flute, “Sleeping Lion” (2012) for flute and piano, Fantasy “Dynamo” for flute and string orchestra (2015). Artistic direction O. Bezborodko demonstrates commitment to the complex musical language with active performing advanced techniques. Advanced mindset associated with high philosophic composer. Each work is devoted to the possibilities of the instrument, which elects the author. This balancing on the brink of rational and irrational, transcendental creates a picture of the world that there are no restrictions. Music, its construction, intonation features and characteristics of other musical arrangement is a direct reflection of the inner world of the composer. Before executing Oleg Bezborodko puts the same high standards as to himself. We can make some generalizations about the specific role of the flute in the instrumental chamber works of O. Bezborodko. Music often chooses this wind instrument, creating each time new ensemble compositions, piano and flute duo of flutes, flute and string ensemble, flute and cello. In each work, the author seeks to reveal certain characteristics of the instrument he has focused on technology implementation, timbre color and psycho-shaped area. One of the features is a creative method Bezborodko appeal to leading techniques XX century, including the use of non-tonality thinking prevailing interest sonority, appeal to the newest techniques of playing the flute. To implement creative and expressive images composer often goes beyond “routine”, which leads to the use of quarter tones multiphonics, tricks whistle tone and tongue ram. Research of the instrumental ensembles demonstrates the endless range of possibilities to use this tool. Modern Ukrainian music culture shows a high level of composer’s thinking, which puts it on a level with the newest achievements of world art practice.