Музикознавчі студії у контексті соціокультурних процесів Правобережної та Лівобережної України у 20-х – першій половині 30-х років ХХ століття

Abstract

У статті досліджено діяльність музикознавчих студій у контексті соціокультурних процесів, які відбувалися на теренах Правобережної та Лівобережної України у 20-х – першій половині 30-х років ХХ століття. Розглянуто та окреслено специфіку музичних інституцій, визначено основні напрямки їх діяльності, з’ясовано характерні особливості розгортання музикознавчих студій у різних регіонах України. Визначено роль та значення інституцій у процесі вивчення, дослідження, збереження та популяризації народнопісенної творчості.

В статье исследовано деятельность музыковедческих студий в контексте социокультурных процессов, которые происходили на территории Правобережной и Левобережной Украины в 20-х – первой половине 30-х годов ХХ века. Рассмотрено и обозначено специфику музыкальных институций, определено основные направления их деятельности, выяснено характерные особенности развёртывания музыковедческих студий в разных регионах Украины. Определено роль и значение институций в процессе изучения, исследования, сохранения и популяризации народнопесенного творчества.

During the independence period of Ukraine, the processes of establishment of its statehood and unitarianism, the issues, dealing with cultural artistic heritage studying of our people, are becoming of great importance. The researchers, dealing with the number of Ukraine’s historical past issues, pay special attention to the twenties of XX century, the period, the main feature of which was the process of rebirth and realization of national values importance as means on the way to general raising both scientific and spiritual level of Ukrainians. The establishment of numerous institutions at the time was the sign of very powerful development of Ukrainian ethnology, which aim was to material and spiritual heritage of Ukrainian people. Despite the great number of scientific works, concerning the cultural artistic space development of western Ukraine, none of the scientists intended to spotlight the activity and importance of the musical institutions in the context of the social cultural processes taking place on the territory of the Right-bank and Left-bank Ukraine at the given period. The purpose of the article is to outline the main trends and to specific the activity of musical expert studios in the context of social cultural processes on the territory of the Right-bank and Left-bank Ukraine in the twenties and first part of the thirties of the XX century. The study of characteristic features and peculiarities of the folklore song creation process development, taking place on different territories of Ukraine, will help to reconstruct historical past and also all components, which made a single unit on the way to Ukrainian national cultural space at the beginning of the XX century. As the result of the study of the specific expansion of musical expert studios activity on the territory of the Right-bank and Left-bank Ukraine in the twenties and the first half of the thirties of the XX century we come to the conclusion that the process of collecting, research and popularizing of Ukrainian people’s folklore song creation at the mentioned period on the both parts of Ukraine, though on different territories, had the same and common goal, that is to collect everything that was considered the most valuable for tune of our people to protect the spiritual heritage of Ukrainians. The outstanding features of many scientific studies, based on the collected folklore material, became the detailed, scrupulous, exact fixation of all peculiarities of the performance style. On the one hand all this enabled to confirm the unique value of song material, and on the other hand inhanced the possibility of historical past reconstruction which was represented by these same collected song examples of people is heritage. The scientific works of scientists, both from East and West of Ukraine, dedicated to collection and studying of folklore material, became a bright proof and argumentation of the originality, unique originality of the Ukrainian nation, which should be considered as one significant part of the world cultural-artistic space.