Збіги у виконавському репертуарі С. В. Рахманінова та В. С. Горовиця як фактор творчих біографій (на прикладі фортепіанних мініатюр Рахманінова)

Abstract

У статті досліджено особливості виконавського репертуару С.В. Рахманінова та В.С. Горовиця у контексті творчих біографій. Розглянуто збіги в концертних програмах митців як важливий фактор їхньої творчої комунікації. Проаналізовано інтерпретації композитора та Володимира Горовиця деяких фортепіанних мініатюр С. Рахманінова.

В статье исследуются особенности исполнительского репертуара С. В. Рахманинова и В. С. Горовица в контексте творческих биографий. Рассматриваются совпадения в концертных программах музыкантов как важный факт их творческой коммуникации. Проанализированы интерпретации композитора и Владимира Горовица некоторых фортепианных миниатюр С. Рахманинова.

The article studied the features of the performing repertoire of S. V. Rachmaninoff and V. S. Horowitz in the context of creative biographies. It is considered the coincidences in concerts programs of artists as an important factor of their creative communication. Interpretations of some Rachmaninoff piano miniatures are analyzed by the composer and Vladimir Horowitz. The communication between Sergei Rachmaninoff and Vladimir Horowitz was very fruitful and resulted in their mutual artistic enrichment. It is particularly important that their friendship was a help to strong all-round development of the pianist, one result of which was a bright interpretation of Rachmaninoff’s works by Horowitz. In this context, we emphasize the theory of communication as an important instrument to study in detail the stated problem. We think that the theory of communication is necessary for a full understanding of the creative relationship between Sergei Rachmaninoff and Vladimir Horowitz, for analysis of communication problems musicians as a sociocultural phenomenon contributes to a better understanding of the personality of the creator and his artistic creation, updating of the personal importance for the cultural heritage of society, which in our case, allows to explore different sides of the creative friendship between Sergei Rachmaninoff and Vladimir Horowitz. Virtually none of the researchers do not consider the personal communication between Rachmaninoff and Horowitz from the standpoint of the communication theory. There were communication problems of creative people at all times, and modern scientists are trying to find the original sources of these difficulties and possible solutions of the psychological problems as well. Thus, the researchers identify a number of features specific peculiar to people with high creativity. Creative communication between Rachmaninoff and Horowitz (besides the domestic one) was quite frequent and active, especially after the strengthening of the confidence of their friendship (this time interval is after the first period of Horowitz’ silence, 30 years of the twentieth century). In this article we‘ll analyze the most revealing, from our point of view, the situation of the personal communication between two musicians who, in terms of communication theory, clearly reflect certain properties in communicating creative individuals, and are subsequently opened by the hidden meanings and subtexts.