Трансформація пісенних жанрів родинно-обрядового фольклору у бандурній творчості

Abstract

У статті розглянуто пісенні жанри родинно-обрядового фольклору, зокрема визначено їхнє місце й ступінь трансформації у бандурному мистецтві другої половини ХХ – початку ХХІ століття. Пропонується аналіз вокально-інструментальних й інструментальних обробок та авторських творів з фольклорною родинно-обрядовою основою або рисами спорідненої тематики в сучасному бандурному репертуарі.

В статье рассмотрены песенные жанры семейно-обрядового фольклора, в частности определено их место и степень трансформации в бандурном искусстве второй половины ХХ – начала XXI века. Предлагается анализ вокально-инструментальных и инструментальных обработок и авторских произведений с фольклорной семейно-обрядовой основой или чертами родственной тематики в современном бандурном репертуаре.

Since a comprehensive study of transformation of the song genres of the family rituals folklore in the bandura creativity is missing, actualization of the issue caused the aim of the article: to determine the level of modification of genres, degree of their preservation in the bandura repertoire of the second half of the XX – beginning of the XXI century. The selected vocal-instrumental and instrumental processing, transformed samples and authors works of the bandura creativity related to the subject of family rituals folklore were analyzed. In the works for bandura of composers and bandurysts-performers the ceremonial wedding songs (singly), lullabies are presented. Mainly humorous and dance songs that went beyond the rite (except lullabies, which are more common) entrenched among the songs performed at christening parties. Certain types of family rituals folklore, including wedding ladkannya, have not entrenched in bandura repertoire yet. Weepings and lamentations can not be presented as a separate genre in bandura repertoire because they are part of the burial ritual, but their elements are in many other genres of folklore and works on their basis that are widely used in bandura creativity. Other vocal folklore genres thematically related to family rituals (samples of family, social-household genres etc.), songs of literary origin and authors that became folk and are adjacent to the family rituals repertoire are presented more comprehensively. Vocal genres of the family ritual folklore and related songs, especially bandura repertoire of the second half of the XX – beginning of the XXI century, experienced the following processes: preservation (complete or fragmentary) with the adaptation for performance with bandura; migration (transition of samples from family rituals to other folk song genres); transformation to the instrumental works of folklore basis (plays, variations, fantasy); emergence of new authors vocalinstrumental and instrumental works that correspond to the genres of family rituals creativity (predominantly lullabies). Domestic rituals and related song genres are presented in the works for bandura of composers and bandurysts-performers in the form of vocal-instrumental processing and arrangements, instrumental works (for solo and ensemble). As a result of individual composers and performers vision of folklore samples in the modern bandura art not only processing, arranging and transformed instrumental works are popularized but also as the new vocal-instrumental and instrumental compositions appear which serve as original continuation of the theme of family rituals genres.