Перспективи побутування академічного вокалу на початку XXI століття

Abstract

У статті розглянуто основні проблеми, пов’язані з побутуванням академічного вокалу в культурі сьогодення. Висвітлено особливості напрямку Classical crossover, що є певною універсальною системою, базованою на принципі інтертекстуальності, яка ґрунтується на високій виконавській майстерності вокалістів і характерна значним слухацьким інтересом.

В статье рассмотрены основные проблемы, связанные с бытованием академического вокала в культуре современности. Освещены особенности направления Classical crossover, которое является определенной универсальной системой, основанной на принципе интертекстуальности, базирующейся на высоком исполнительском мастерстве вокалистов и характеризующейся значительным слушательским интересом.

Vocal art has a significant history of its existence. However, formation of modern academic solo singer’s school took place much later than the appearance of vocal music and as such is associated with persistent tradition. The appearance of academic solo singing could be considered in connection with certain musical genres within which formed the basis and modern performance. Quite a long time was defined specificity academic singing opera genre. Moreover, this process happened in reverse. During the development of opera has developed three major performing manners: cantilena, recitation and singing coloratura. Specificity of sound academic vocals associated with the phenomenon of resonance theory of the art of singing. Resonance theory of art song, based on the practice of the masters of vocal art and comprehensive study of acoustics, physiology and psychology of singing process, explains the possibility of achieving with minimal physical exertion of phonation great strength singing voice, beauty of tone, voicing and airiness sound, high phonetic qualities of vocal language (diction), durability of professional stage singer. Resonance theory art of singing is not only explains but indicates ways to achieve vocal perfection. Pressing issue is to examine the existence of contemporary classical music in general and its demand in today’s conditions. New direction Classical crossover gaining more popularity among the most diverse population, some advocates universal system based on high performance mastery vocalists and instrumentalists. Academic vocal art has always been developing according to the requests of the audience and in the close relationship between composer and performer. We believe Classical crossover acts specific guidance for the further development of the singer’s manner. For works of this area characterized by a melody, typical Italian tradition, singing opera, symphonic orchestration, polyphony and characteristic sound elements of mass musical genres. This style is designed for singers with a broad vocal capabilities and high level of professionalism. Classical crossover associated with this principle as intertextuality, development and prospects which lie in the ability to hear the composer in another material new content or create it with a sense already signed it. The principle of intertextuality and built on it the direction Classical crossover with a great future. In our opinion, he is a vocal Meanwhile the prospect of academic art to facilitate its promotion of the listening and viewing audience and stimulate the development of vocal skills singing.