Сучасні інтер’єрні арт-об’єкти: класифікація та особливості створення

Abstract

У статті досліджено та систематизовано світовий досвід створення інтер’єрних арт-об’єктів. Встановлено, що виготовлення арт-об’єктів спирається не лише на знання з композиції, а й на розуміння особливостей роботи сучасного промислового обладнання, яке застосовують при створенні означених композицій. Виявлено, що використання інноваційних технічних засобів передбачає вміння і навички роботи у спеціальних графічних комп’ютерних програмах та розуміння фізичних і художньо-естетичних властивостей матеріалів.

В статье исследован и систематизирован мировой опыт создания арт-объектов. Установлено, что изготовление творческих работ опирается не только на знаниях по композиции, но и на понимании особенностей работы современного промышленного оборудования, которое применяется при создании данных арт-объектов. Выявлено, что использование инновационных технических средств предполагает умение и навыки работы в специальных графических компьютерных программах и понимании физических и художественно-эстетических свойств материалов.

In recent years, there has been an increasing interest in art-design that is a combination of art and design where the conceptual component prevails over the utilitarian value of the object. The works of art-design reflect the author’s artistic concepts and combine aesthetic expressiveness, artistic design and a certain functional load. The objectives of this study are to make a classification of modern interior art-objects and to determine the role of modern industrial equipment in the process of creating designated creative works. The methodology of this work based on the application of empirical and theoretical research methods. The empirical methods, namely experiment, comparison and observation, when studying the characteristics of the manufacture of these creative compositions, are fundamental. To summarize the practical experience and update the curriculum applied theoretical research methods, namely analysis, synthesis and forecasting. The results of the research support the idea that art-objects can be classified: by composition (frontal, three-dimensional, deep-spatial); in terms of components (modular, similar, heterogeneous); in artistic and figurative direction (abstract, associative, naturalistic); by nature of interaction with humans (interactive and static); by materials (wooden, polymeric, metal, glass, mirror, with fabric or combination of several materials in one work); by function (creation of compositional accents or compositional dominant in the interior, identification of separate zones in space, creation of a special artistic-imaginary system in the interior). The analysis of numerical examples of the introduction of art objects in the general design of the object-space environment revealed the criteria that influence the perception of the identified compositions by man: the figurative and stylistic conformity of the art-object to the overall interior design. In this aspect becomes important the question of forming a coherent harmonious space; the compositional arrangement of art-objects in a object-space environment, which depends on the author’s concept, architectural planning and spatial-spatial features of the interior. It was revealed that the creation of art-objects is based not only on the knowledge of the composition, but also on the understanding of the features of modern industrial equipment, which is used in the creation of these objects. To make the interior art-object it is necessary to follow certain stages of the work, namely: analysis of the works of predecessors, formulation of the concept, sketching and the production of the object. To produce elements of an art-object it is necessary to create a computer model of that object; to write a control programs for CNC machine tools production of the details of an art-object in the material; to decorate the surfaces of elements. The present results are significant that the use of innovative technical means requires the ability to work in special graphic computer programs and to understand the physical, artistic and aesthetic properties of materials. The use of CNC machines improves the quality of the compositions and opens new horizons in the field of implementation of the most daring creative concepts and the use of different materials. We conclude that the use of industrial equipment in the process of art-objects creation contradicts the concept of manual production of a work of art-design, but the machine is just a tool in the hands of the artist, whose use doesn’t offset knowledge of composition, understanding of combinatorics. Without professional training and original artistic design, no industrial equipment is able to produce a unique art object.