Сонатний жанр у сучасному бандурному репертуарі

Abstract

Представлено проблему розвитку та модифікації жанру сонати для бандури на прикладі композиторських пошуків українських митців ІІ половини ХХ – початку ХХІ ст. (А.Коломієць, М.Дремлюга, Ю.Олійник, В.Зубицький та ін.). У їх оригінальних творах для бандури сонатна форма набуласпецифічних ознак, обумовлених новітніми тенденціями у композиторській техніці, виконавськими особливостямисучасного концертного інструмента. Розглянуто Сонату В. Зубицького у виконавсько-педагогічному аспекті.

Представлено проблему развития и модифицирования жанра сонаты для бандуры на примерекомпозиторских поисков украинськихкомпозиторов ІІ половины ХХ – начала ХХІ ст. (А.Коломиец, М.Дремлюга, Ю.Олийнык, В.Зубицкийи др.). В их произведениях для бандуры сонатная форма приобреласпецифическиечерты, обусловленныеновымитенденциями вкомпозиторской технике, исполнительскими возможностями концертного инструмента. Рассмотрено Сонату В. Зубицкогов исполнительско-педагогическом аспекте.

The article presents the problem of genre development and modification of the sonata for the bandura on the example of the pursuits of contemporary Ukrainian composers. In the broad spectrum of classical instrumental genres the sonata occupies an important place, summing up the search of composers preceding the classic time and at the same time laying the opportunities of modifications according to the stylistic, technical and expressive, artistic and interpretational endeavors by the composers belonging to the following periods. An illustration of this thesis can be the evolution of the genre of the bandura sonatas, particularly in the works of the Ukrainian artists of the second half of XX and the beginning of XXI century. A significant contribution to the development of the genre of the sonata for the bandura was made by modern composers A. Kolomiyets, M. Dremlyuha, V. Zubytsky and J. Olijnyk. The musicological analysis allows us to conclude that the sonata form in the original musical works for the bandura has acquired a number of specific features, reflecting the latest trends in the composer’s technique, performing peculiarities of the bandura as a perspective and promising concert and academic instrument. The purpose of the publication consists in the highlighting of the attempt to analyze the specific features of the genre of sonata for the bandura in the works by modern Ukrainian artists based on the example of The Sonata by V. Zubytsky. Among the innovators and the brightest representatives of the new generation of the Ukrainian composers, V. Zubytskyis known as talented conductor, the Honored Artist of Ukraine. His musical activity is characterized by his bright concerto ability, which embodies the symphonic nature of the composer’s thinking and testifies the presence of deep national traditions in his activities which are organically combined with modern techniques of music composing. B. Zubytsky encourages the bandura to "speak" in modern language without a reference to the "peculiarity" of the instrument; he implements the multi layer parallels arising in comparing the different styles of folk, "baroque" and jazz music. The Sonata for the bandura "In memory of K. M'yaskova" is a vivid musical work representing a modern newly presented folk style by V. Zubytsky. Freely implementing his composer’s thinking, the composer uses modern composing techniques in fullness, thus expanding the original specific opportunities for the bandura. Thus, he modernizes the genre of the sonata for the bandura filling it with the new modern content and the range of images.