Етнокультурний вінтаж. застосування аутентичних об’єктів у дизайні вінтажного інтер’єру

Abstract

У статті досліджено етнокультурний вінтаж як напрямок дизайн-організації предметно-просторового середовища, де основним завданням є створення або відтворення образів минулого. Виявлено, що важливу роль при цьому відіграє наповнення інтер’єру елементами, які створюють відповідний настрій часу і формують конотації з певною епохою, історичним періодом або країною. У роботі охарактеризовано прийом та способи застосування аутентичних об’єктів, який є основоположним у процесі формування вінтажного інтер’єру.

В статье исследован этнокультурный винтаж как современное направление дизайн-организации предметно-пространственной среды, где основной задачей является создание или воспроизведение образов прошлого. Важную роль при этом играет наполнение интерьера элементами, которые создают соответствующее настроение времени и формируют коннотации с определенной эпохой, историческим периодом или страной. В работе охарактеризован приём и способы применения аутентичных объектов, которые являются основополагающими в процессе формирования винтажного интерьера.

The article analyzes the ethnocultural vintage as the direction of the design organization of the object-spatial environment. It was revealed that in recent years the stylistic direction of the “vintage” has gained world popularity and variation of implementation in interior design. In the aspect of the organization of the vintage object-spatial environment, the substantive role is played by the substantive filling of the interior. A large number of implemented project proposals and the lack of theoretical understanding of the formation of the interior in the stylistic direction of the “vintage” result in the relevance of the work. In the organization of the interior design in the stylistic direction of the “vintage”, the main task is to create or reproduce images of the past, to which modern designers of the interior turn frequently. The important role in this is played by the filling of the interior with furniture, textiles, lighting, household objects and decorative elements that create the appropriate mood of time and form connotations with a certain era, historical period or country. The subject matter of the interior plays a functional, ergonomic, aesthetic and cultural role. The stylistic direction of the “vintage”, which came to the practice of design from other areas of human life, such as fashion, jewelry, etc., essentially involves the use of authentic things in a new context. However, the modern life, demand and expectations of consumers, as well as designer practices, have modified the approach to this stylistic direction, which, from the sphere of interaction with the originals, has become a diverse “game with vintage”. Work in this stylistic direction takes the form of a variety of transformations, styles, and interpretations that fit into the context and tools of postmodernism. The method of the use of authentic objects is fundamental to the formation process of a vintage object-space environment. It is due to the degree of value and/or the level of preservation of authentic objects (artifacts). Techniques for the embodiment of this method are due to the designer’s tasks. They can be constructed in the same line as the deformation of the original, namely: − the use of the object in its original form, without any noticeable technical, technological and creative distortion; − the restoration of the authentic artifact, slight toning and change of color tint with preservation of its original texture and possible simulation of artificial aging. Examples of the embodiment of this method are interiors, executed in the direction of ethnocultural vintage, where the organization of space has its own characteristics and is based on local traditions. The formation of the ethnocultural vintage interior is based on stable associations that refer to history, traditions, culture, and even the natural and geographical context of a country. For example, in Ukraine, as well as neighboring post-Soviet countries, united by a common history, the “Stalin Empire” became a decisive factor in the recent past. An entirely different sounding of ethnocultural cargo is in Western Europe, where national history and traditions have impacted on the solution of the subject-spatial environment. Thus, the English version of the Victorian style, the French “Provence” and the Tuscan style embodying the image of the eponymous region of Italy have become the most popular and widespread. The ethnocultural vintage operates with characteristic details, which fill the space, forming the image of a certain era of a country. The method of applying authentic elements is the most obvious solution when creating a vintage interior. However, this method somewhat restricts the designer’s choice of artistic techniques and tools that should be consistent with a particular historical epoch and the region.