Вітраж як елемент декору в дизайні громадських та житлових приміщень Івано-Франківщини початку XXІ століття

Abstract

У статті досліджено твори вітражного мистецтва громадських і житлових приміщень Івано-Франківщини початку XXІ ст. як основний елемент декору сучасного інтер’єру. Розглянуто низку зразків у стилістичному та художньому аспектах їх творення. Виділено основні композиційні схеми та колористичні особливості вітражних творів.

В статье исследованы произведения витражного искусства общественных и жилищных помещений Ивано-Франковщины начала XXІ в. как основной элемент современного интерьера. Рассмотрено ряд образцов в стилистическом и художественном аспектах их создания. Выделено основные композиционные схемы и цветовые особенности витражных произведений.

The article deals with the works of stained glass art in public and private buildings in IvanoFrankivsk region at the beginning of the XXI century which has become the main element of décor in modern interior. Some examples are analyzed in compositional, stylistic and artistic aspects. Stained glass of public and private buildings this period in Ivano-Frankivsk region hasn’t been described by Ukrainian scientists in any publications. In her work the author used the publications devoted to the colourstudy and the period setsesi which are very important for the analysis stained glass works. For exploring modern stained glass, two methods were used the method of art, which gave the possibility to describe the means of artistic expression and the method of comparison with the help of which common and different features in stained glass creation were found. It is defined that using of stained glass elements in modern interior of public and private buildings is not limited and depends only on the artist imagination. Stained glass is widely used in the decoration of building walls, lights, lamps, sconces and others. Due to unique features of stained glass it is possible to preserve transparency or it can be represented as a bright spot for protection some part of building. The main compositional patterns of modern stained glass works were pained out. The author has come to conclusion that customers and artists pay much attention to floral motifs with exquisite items. Geometric and abstract compositions are also popular. The style of works have been found out in the article. Stained glass artists use monochromatic combinations, pied and contrasting correlations of colors. It’s proved that at the beginning of the XXI century stained glass is naturally coexists with electric light. It is concerned the lamps of different shapes, candelabrums, sconces. It is found out that stained glass use own creative methods as well as borrowed elements in their works. It is noticed that artists apply a new kind of fastening: thin coper lamina is alternated lead soldering. The possibilities of this method positively influences on aesthetic sights of the work and its strength. Stained glass artists colorful glass which produced in USA, «frosty» and colorless sheet glass. The additional means of décor are paintings, fusing, glass balls.