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Название: Вітражні компоненти у формуванні інтер’єрів Івано-Франківщини початку XXІ століття: світильники
Другие названия: Витражные компоненты в формировании интерьеров Ивано-Франковщины начала XXІ века: светильники
STAINED-GLASS COMPONENTS IN CREATING INTERIORS IN IVANO-FRANKIVSK REGION AT THE BEGINNING OF THE XXI CENTURY: LAMPS
Авторы: Гілязова, Наталія
Библиографическое описание: Гілязова Н. Вітражні компоненти у формуванні інтер’єрів Івано-Франківщини початку XXІ століття: світильники // Наукові записки Тернопільського національного педагогічного університету імені Володимира Гнатюка. Сер. Мистецтвознавство Тернопіль : ТНПУ ім. В. Гнатюка, 2016. № 2 (вип. 35). C. 228–234.
Дата публикации: 2016
Издательство: ТНПУ ім. В. Гнатюка
Ключевые слова: вітраж,
світильник
композиція
форма
витраж
светильник
композиция
форма
stained-glass
lamp
composition
form
Краткий осмотр (реферат): У статті досліджено вітражні освітлювальні прилади Івано-Франківщини початку XXІ століття як компонент формування сучасного інтер’єру. Розглянуто основні художні та стилістичні особливості їх творення. Проаналізовано колористичні відмінності композиційних схем.
В статье исследовано витражные осветительные приборы Ивано-Франковщины начала XXІ века как компонент формирования интерьера. Рассмотрено основные художественные и стилистические особенности их создания. Проанализировано колористические различия композиционных схем.
Stained-glass lighting appliances in Ivano-Frankivsk region at the beginning of the XXI century as a component of modern interior formation are examined in the article. The main artistic and stylistic peculiarities of their creation are determined. Analyzed the differences colorful composite schemes. At the beginning of the XXI century stained-glass in Ukraine, specifically in Ivano-Frankivsk region, acquired new features − the use of electric light, which greatly expanded the implementation of stained-glass components in living spaces and public areas. Owing to L. Tiffany’s innovations, mounting of glass into copper foil, it was possible to create volumetric shapes for lighting appliances. Shades of colored glass are used in decoration of variety of lamps including table lamps, sconces, chandeliers and so on. The theme of research of stained-glass lamps in Ivano-Frankivsk region at the beginning of the XXI century was not elucidated in art publications. This fact determines the topicality of the proposed research work. The purpose of the article is to determine artistic and stylistic features of creation of stainedglass lamps in Ivano-Frankivsk region at the beginning of the XXI century. Due to the functionality of the lighting unit and stylistic direction of the interior artist creates shape and stained with various color and compositional variations. One type is stained-glass lamp – ceiling. It is shaped like a hemisphere fastened to the ceiling. Such ceiling creates Valerian Fedoryak. Stained-glass ceiling randomly filled with hundreds of small pieces of glass that formed on the ratio of nuance. Color – also barely noticeable difference of shades of yellow. Ends composition wreath of flowers is placed on top of the lampshade. Zinovy Savin made a series of stained-glass fixtures for private homes, where shade is dome shape and attached to the ceiling on forged chain. Following the style of the interior, the author used in the composition of the motifs of floral ornament in bright saturated colors. Taking into account the compositional methods and manner of performance can be argued that the creation of fixtures author had based stained-glass ceiling American master Louis Tiffany. So are called lamps in the style of “Tiffany”. Another type of fixture is stained-glass lampshade is shaped like a bowl. She forged mounted in the base and hung on chains from the ceiling. One of these samples – lamp for private housing set Valerian Fedoryak. Stained-glass bowl formed of small pieces of glass of different configurations – triangles and rectangles. This method of stacking is quite extraordinary and resembles a mosaic. A common view is stained-glass lamp is sconces. For example, consider a wall lamp indoors coffee “Galka”. The author used for laying yellowish translucent textural glass that transmits light well and brightens the room. Oval track set up with items that are symbolic form of coffee grains. The middle candle remained free, decorated with multiple glass beads of the same color as the background. Elongated and not loaded decor composition is also a positive factor in the creation of stained glass wall lamp. An interesting view, in our opinion, is a stained-glass lamps cubic form. They have a metal frame in the form of a cube, which are fixed stained glass inserts. Enhances the simple form colored stained-glass. So when incorporated in the interior lighting appear shimmering colored reflections, providing living room of elegance and tranquility. Extraordinary kind of stained-glass lamps are plane, which is mounted in a frame and forged metal hung from the ceiling on chains created by Olga Revchuk the interior bedroom. Plane fixture has an oval shape with sharp edges. Abstract composition composed of stained yellow, blue, purple and orange colors of textured glass that gave the room a playful shimmer and increased the contrast of the composition. Stained-glass lamps are considered to be an important component in modern interior creation. It refers to lamps, sconces, table lamps etc. Stained-glass lampshades have different shapes: spherical, dome, flat, cube, cone and so on. Authors and customers pay special attention to floral motifs with secessionist elements. Geometric and abstract compositions are also common. Stained-glass lamps do not only functionality, but also solve the important tasks of spatial and aesthetic environment and creating color atmosphere.
URI (Унифицированный идентификатор ресурса): http://dspace.tnpu.edu.ua/handle/123456789/18361
Располагается в коллекциях:Наукові записки Тернопільського національного педагогічного університету ім. В. Гнатюка. Сер. Мистецтвознавство. 2016.№ 2

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