Характерні риси хорової творчості Ганни Гаврилець

Abstract

У статті проаналізовано особливості хорової творчості видатної сучасної української композиторки Ганни Гаврилець. Розкрито специфіку композиторського мислення, що пов’язана із взаємодією з фольклором і проявляється у використанні мелодико-інтонаційного, ладового, ритмічного, вербального компонентів народних пісень. Хорові твори, що займають велику частину творчого доробку Г. Гаврилець представляють велику палітру жанрів – псалом, концерт, ораторія, обробки та інші, в яких розкривається весь спектр можливостей різноманітних хорових складів.

В статье проанализировано особенности хорового творчества выдающегося современного украинского композитора Анны Гаврилец. Раскрыта специфика композиторского мышления, которая раскрывается в тесном взаимодействии с фольклором и проявляется в использовании мелодико-интонационного, ладового, ритмического, вербального компонентов народных песен. Хоровые произведения, занимающие значительную часть творческого наследия А. Гаврилец, представлены широкой жанровой палитрой – псалом, концерт, оратория, обработки и др., в которых раскрывается весь спектр возможностей различных хоровых составов.

Among the recognized composers who assign an important place in his works of choral works are the works of H. Havrylets. Composer active in a variety of genres that are constantly performed choirs, both in Ukraine and abroad. A study of choral repertoire is an urgent task, which is dedicated to research and development. H. Havrylets is a leader in choral festivals, continuing the traditions established by the founders of Ukrainian school of composition. For national music inherent extremely high vocal role principle that pervades not only solo or choral works, but also instrumental. Traditionally, the top is both secular and spiritual works. The use of folk poetic text pattern helps to create a picture of the new order but in choral sound. Often folklore like conquer a whole musical fabric of the work. The immediate impact can be seen just in the specifics of vocal music. In choral works manifest originality timbre intonation, articulation features associated with certain dialects of folk songs H. Havrylets works closely related both to the folk-song “popivky”, which range may be within quarts, and with songs elegiac in which there are wide intervals. Melodic lines usually are comfortable for choral performance. Complex harmonious combination formed by layering different choral movement parties. Pretty important place is given coloured factor. Musical language is not burdened with excessive and deliberate complexity. In respect of modal preferred tonal music, although naturally enriched with bright harmonies and unexpected harmonic back. Some works quite interesting is the inclusion of jazz harmony. H. Havrylets noted that although prefers to Ukrainian folklore as a material for treatments, but probably will in the future apply to the folklore of other nations. Each treatment is original work, which is of course associated with the song, but already has its own structure, which may not coincide with that which was in the song. It should be noted that the composer wrote for choir since the early period of his work, however, choral works were certain evolution. At the beginning of the creative way they appeared along with the works of other genres. Was represented a large palette works for very different performing compositions: concerts, chamber symphonies, symphonic poems, string quartet, saxophone quartet, brass quintets and sonatas. But, over time, become major choral works. At the end of the first decade of the XXI century composer began to apply also to such large-scale choral genres as oratorio. Notably, creating music for choir, composer interprets differently performing stocks. Her creative works are many compositions for male, female, mixed choirs, they also sometimes added for children. Writing works, including an appeal to the folk source associated not only with the transformation in the field of drama, but the timbre reinterpretation of folk songs. In the works of choral works H. Havrylets given a significant place. Arrangements of folk songs for choral composition in combined goals theatrical performances a surprisingly effective for students and those who willingly perform. A large palette of different themed works (religious and secular), written for all choral compositions has significant potential for raising choral conductor.