Діяльність українських педагогів академічного співу в Китаї на початку ХХІ століття

Abstract

У статті на основі опублікованих джерел і власного інтерв’ювання досліджено приклади виконавської та методично-педагогічної діяльності окремих українських співаків у Китаї протягом останніх років. Розглянуто аспекти діяльності у Китаї О. Жаровської, Г. Усової та І. Красиліної. Охарактеризовано репертуар їх концертних програм і зміст педагогічної діяльності.

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статье на основе опубликованных источников и личного интервьюирования исследованы примеры исполнительской и методико-педагогической деятельности отдельных украинских певцов в Китае в последние годы. Рассмотрены аспекты деятельности в Китае О. Жаровской, А. Усовой и И. Красилиной. Охарактеризовано репертуар их концертных программ и содержание педагогической деятельности.

After creating PRC a period of cooperation of representatives of Ukrainian vocal art in China has begun, which activated cultural processes between Ukraine and China. First important example of the official art contacts of chinese singers with Ukrainian academic vocal school is binded with concert and methodic activity of Borys Gmyrya. On the modern period, in accordance with the Program of strategic partnership relations development between Ukraine and China, that process has rapidly activated. As an example of the last years in the article is being researched an activity of the senior teacher of the solo singing chair of Lviv M. Lyssenko national musical academy – Olga Garovska, which was invited to work in China due to the Agreement “About cooperation LNMA by M. Lysenko and musical institute of Pedagogical university Leshan, (Sichuan province, 2001). It was researched that O. Garovska has a vocal class for the students of Leshan pedagogical institute. Learning program has included the compositions of Italian compositors and popular Italian and Chinese songs. It was discovered that the best success of Garovska in Leshan was binded with her classes students performing of some scenes from the opera “Lover drink” Donizetti and with her participation in the jury at the young urban performers contest. In China Garovska has paid a lot of time to the Chinese tradition and culture studying, she has learned exercises of Chinese breathing gymnastic “zy-gan” for breathing strengthening and elastic ties, she has understood the features of the Chinese aims in singing art, who takes priority not for technical skills but for searching and developing of the individual tone of the voice. She has learned the Chinese notes grammar – “simplified system of noting”, which differs by its numbers in the musician toning. It was researched and example of activity of the senior teacher of the academic singing chair of Donetsk S. Prokofiev state musical academy – Ganna Usova in the university Chgan Tszya Dze (Chunan town), which is the refugee from Donetsk, which clearly shows a support by China for Ukraine and its separate citizens. A beginning of XXI c. was marked by activization of concert activity by Ukrainian singers. In this context the concert and pedagogic activity of the soloist of Odessa national academic theater of opera and ballet Iryna Krasylina, which took place in November 2009, becomes as a first example of the common concerts of Ukrainian scened and Chinese opera singers. It was found that the art relations Krasylina and Lyu Bintszyan. The concerts of Krasylina with participation of Lyu Bintsyanhas took place in Tayan culture House, in Shandun Big theater in Tszynan, in the Hall of Central conservatory in Pekin. Totally 6 concerts was done, where the audience could listen to romances by Chaikovsky and the scenes from the opera “Evgeniy Onegin”. It was analyzed the aspects of their activity, repertoire of the concert programs, context of the master classes, also was founded some separate brilliant pupils. It was shown, that these examples confirms the deepening on the modern phase of friendly relations of Chinese and Ukrainian peoples and enrichment of its cultural potential in accordance with confirmed state programs.