Художній образ у творі мистецтва

Abstract

У статті досліджено поняття художнього образу як невід’ємної складової твору мистецтва. Розглянуто художній образ у мистецтві погляду філософії та естетики. Охарактеризовано дві групи образів: автологічні й металогічні. Образи поділяються на вище названі типи за смисловими співвідношеннями між чуттєвим образом та його ідеєю.

В статье исследовано понятие художественного образа как неотъемлемой части произведения искусства. Рассмотрено художественный образ в искусстве с точки зрения философии и эстетики. Охарактеризовано две группы образов: автологические и металогические. Образы делятся на выше названные типы за смысловыми соотношениями между чувственным образом и его идеей.

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In the article we are explored the notion of art image as an integral part of the work of art. Also we are reviewed the artistic image in art in terms of philosophy and aesthetics. The artistic image is a specific form of reflection that summarizes expressed in the work of the artist and has a direct sensually emotional impact on the recipient. In the art objects of the external world appear in the form of artistic images. Thus, the term “image” is multivalve, but in this case is used narrower meaning of the concept. Here the image is a tool of art. The image is а unit, but the image consists of the common qualities when it comes to mind. When the image comprehends personality, it acquires immensity that is characteristic of а unit material objects. The image can not be completely expressed by concepts. Therefore the problem of a typical and individual arises in art. Artistic images are intermediaries between the world and man. Therefore the problem of belonging images to the material or to an ideal world arises. Also in the article, we describe the types of artistic images. Scholars often offer classification of types of artistic images. All art images are kept to two types. These types are based on understanding the essence of the artistic image. Types of images are equivalent methods of verbal imagery of work of art if we examine image as a way of being work of art. For the semantic correlations between sensual image and its idea images are divided into two groups: autologous images and metalogous images. Sensual image and its idea are concerning a range of phenomena in artistic images that belong to autologous type imagery. Often autologous images scientists referred to as images-types. Generalization, fixation of typical characteristic aspects of depicted is the aim of the works, which used just such a group of images. Grotesque is a type of autologous artistic image. Grotesque is a type of artistic image, in which the author delivers the depicted in exaggerated, contrived form and opposes reality and fiction. In art criticism grotesque is a type of art imagery that is based on fantasy, hyperbole, comparison of the fantastic and the real. It is a form of comedic exaggeration. Metalogous types of artistic images are such images in which the sensual image reveals qualitatively opposite idea from the subject. Here the sensual image and idea are belonging to different range of phenomena. Example of this is work landscapes, in which certain human feelings embody image of nature. Symbol, allegory, subtext are belong to such group of images. The symbol is an idea, image or object that has its own meaning and simultaneously sends different meaning in aggregate form. In the art symbol is a universal aesthetic category, which is disclosed through comparison of the sign and allegory. The first idea of the symbol formed in philosophical views of pre-Socratics Platon and Plotin. However, the specific theory of the symbol developed in non-classical philosophy. The specific theory of the symbol developed by representatives of neopositivism, hermeneutics, structuralism, such as Ernst Cassirer, Carl Gustav Jung, Jean-Paul Sartre, Erich Fromm, Claude Levi-Strauss. The eminent philosopher of the twentieth century Alexey Losev devoted considerable attention to the problem of character. In the broad sense is an allegory of the principle of imaginative thinking, which consists in the fact that concrete sensual image any subject in the final result is mean and form of expressing of ideas. The allegory is one means of aesthetic assimilation of reality a means of images of objects and phenomena by using the image, basis of which is circumlocution. Distracting concepts, typical phenomena, characters, mythological characters are used most often in allegory. The subtext is a type of artistic image in which the specific sensory image means intentionally hidden hint to any other idea or image.