Наративна структура роману Ю. Андруховича «Рекреації»

Abstract

У статті досліджено наративну структуру роману Юрія Андруховича «Рекреації». Встановлено, що центральною у ній є інстанція наратора-режисера, який організовує весь конструкт тексту. Його основна ознака – ненадійність. Проаналізовано художні функції такого типу наратора та художні ефекти, що виникають при цьому.

The article explores the figure of the narrator-director in novel "Recreation", by Yuri Andrukhovych, drawing on the theory of unreliable narration and menipei as a genre tradition. The criticism reacted to the first novel rather violently, we note various estimates. We believe that most of the negative comments are due to a misunderstanding of the nature of the genre and the organizing role of the narrator in it. Narrative analysis has helped to establish that behind the creation of an adventurous story about the adventures of Ukrainian poets is Pavel Matsapura, who hides himself until the end of the work. In the novel, he is also a character of the artistic world. At the same time, several stories co-exist and it is important to understand that the first is the history of the organization of the Holy Resurrection Spirit by Paul Matsapura; the second is the story of the poets who arrived at the festival. The testimony of the test indicates the emotionality and heightened expressiveness of the narrative instance. And the text of the novel is reminiscent of a script limited by the voice of an unreliable narrator. Its features and artistic functions are analyzed, as well as the aesthetic effects arising from it.