Структурно-функціональна модель діяльності ансамблю-лабораторії етнохореографії Західного Поділля

Abstract

У статті висвітлено питання щодо шляхів дослідження, збереження і пропаганди танцювальних традицій Західного Поділля. Розроблено та здійснено характеристику структурно-функціональної моделі творчої лабораторії етнохореографії Західного Поділля, яка реалізується у діяльності танцювального ансамблю “Веснянка” Тернопільського національного педагогічного університету імені Володимира Гнатюка.

В статье отражены вопросы исследования, сохранения и пропаганды танцевальных традиций Западного Подолья. Разработана и осуществлена характеристика структурно-функциональной модели, которая реализуется в деятельности танцевального ансамбля “Веснянка” Тернопольского национального педагогического университета имени Владимира Гнатюка.

Scientifically-research work of creative laboratory from maintenance of dancing traditions of Western Podillya, what caddis “Vesnianka” of Ternopil Volodymyr Hnatiuk National Pedagogical University created on the base of dancing ensemble, sent to bringing in of wide circle of student young people, them searching-scientifically-artistic activity, that, to our opinion, is important and effective direction of spiritual and cultural development of personality. The structural-functional model of activity of ensemble-laboratory of ethnography of Western Podillya as a graphic image, in that there is appropriate intercommunication between clearly certain components, worked out by us consists of two basic blocks: the first block is contextual of functioning of folk choreographic culture, the second block is structural elements of folk dances. In the first block such components are included: folklore expeditions, informants, catalogues of audio libraries, traditional instrumental ensemble, educational process, workshop of traditional suit, masterclases, museum of folk choreographic culture, concerto activity. Unorganized by us folklore expeditions, as practical searching-research work of students, sent to the exposure and economies of dancing standards, that exist on Western Podillya. One of important terms during work there is intermingling with informants and clear fixing of the collected materials in folklore expeditions. An essential component of traditional dance is musical accompaniment. With the aim of reconstruction on to the faculty of arts of Ternopil Volodymyr Hnatiuk National Pedagogical University, the traditional instrumental ensemble of “Кaperush” is created. By us the worked out special courses on themes: “Study of traditional dances of Western Podillya” and “Round dance with singing of Western Podillya”, and also systematic practical employments, on that students meet and study traditional dances of Western Podillya region, that, in turn, inculcate the acquired abilities and skills in passing by them pedagogical practice in general educational establishments of city of Ternopil and area, are conducted. At creation of corresponding choreographic character, a how hardly not the most important role is played by a stage suit and essential elements that is used in folklore dance. In fact a stage folk suit is the creative decision of ethnographic folk suit from modern aesthetic positions. The work of the creative laboratory provides for close cooperation with the Ternopil regional methodical center of folk art, which today is one of the active propagandists and a kind of defender of the traditional folk art of our region. Various research work of ensemble-laboratory stipulated us in organization of “Museum of folk choreographic culture of Western Podillya”. One of key tasks in-process ensemble-laboratory there are realization of various artistic projects and participating in concerto activity, competitions-festivals of choreographic art of different grades, that assists skills of a stage experience and professional height. To the second block (structural elements of folk dances) enter: composition, dramaturgy, plot, styling, musical accompaniment, rhythmic formula, cadence, vocabulary, suit, attribute. Here done description of every element of folk dance. Undertaken a study showed that, due to unity of maintenance and form, a choreographic culture influences on forming of personality and executes such functions of socialization, as informing-cognitive, communicative, in a civilized manner-creative and aesthetic. From here, creation and activity of ensemble-laboratory are the effective means of bringing in youth to scientifically-research work that promotes them spiritual, in a civilized manner – to aesthetic and professional development.