http://dspace.tnpu.edu.ua/handle/123456789/18725 2026-04-04T17:10:40Z 2026-04-04T17:10:40Z http://dspace.tnpu.edu.ua/handle/123456789/32564 2024-05-02T10:01:58Z 2014-01-01T00:00:00Z

Назва: Наукові записки Тернопільського національного педагогічного університету імені Володимира Гнатюка Опис: Повнотекстові наукові записки

2014-01-01T00:00:00Z Маркович, Марія Йосипівна http://dspace.tnpu.edu.ua/handle/123456789/18863 2022-02-08T13:47:05Z 2014-01-01T00:00:00Z

Назва: Переваги світлодіодної технології в галузі освітлення Автори: Маркович, Марія Йосипівна Короткий огляд (реферат): У статті розглянуто основні способи формування світлового просторового середовища. Визначено загальні тенденції формування світлового образу міського середовища сучасними засобами штучного освітлення. Проаналізовано та описано можливості світлодіодних технологій у практиці світлового дизайну, а також висвітлено найважливіші сфери їхнього сучасного застосування.; В статье рассмотрены основные способы формирования световой пространственной среды. Определены общие тенденции формирования светового образа городской среды современными средствами искусственного освещения. Анализируются и описываются возможности светодиодных технологий в практике светового дизайна, а также рассматриваются важнейшие сферы их современного применения.; The article is devoted the basic ways of forming a light image of city and aspects of the relationship architectural and luminous image of objects of architecture. The general trends of modeling light image of public buildings with modern means of artificial lighting. Analyzed and described to possibility of light-emitting-diode technologies, and also major their applications in practice of light design domains are examined. The article considers the prospects of LED modules. tapes, spotlights and lamps in the manufacture of tubular elements of outdoor advertising. The first Light Emitting Diode came to life 50 years ago as a semiconductor light source. LEDs then were used as indicator lamps in a number of electronic devices and principally as warning devices. With continuous development LEDs are now increasingly being used in all types of general lighting where the technology is proven in terms of energy saving. This trend is likely to continue as purchasers become aware of the substantial benefits LEDs have when compared to conventional lighting solutions. Initially the LED lighting industry targeted the commercial and military aerospace industries where the benefits of applying LED lighting technology have already achieved substantial acceptance. The energy savings produced are compounded by massive reductions in maintenance costs and the application of LED lighting is now commonplace in both retrofit and new build aircraft as the commercial benefits of this technology are proven beyond doubt. In general, current lighting in the public domain is dominated by traditional incandescent filament bulbs or fluorescent tubes and these processes have barely changed in more than 100 years. Those technology types and systems are fully understood and most people are comfortable with the range of fittings and versions available along with the associated cost implications. Common applications are virtually endless. However, the cost and efficiency of conventional lighting is now being questioned more broadly as people become more aware of the alternative means of lighting that are available. This awareness is expanding rapidly as changes in education, environment and law mean that new alternatives in lighting technology are more necessary than ever. Since 2008, LED lighting has been developing as a more generally accepted form of lighting with a number of big brand name traditional lighting manufacturers opening separate divisions focused on this new technology. Its application can make a major contribution to reduced running costs of both exterior and interior lighting whether it is in a private home, a public building or a commercial premises. Shock Resistance: Unlike conventional light sources, LEDs are not subject to sudden failure or burnout as there are no filaments to burn out or break. The light in LEDs emits from encapsulated silicon diodes immersed in phosphor which can be energised from a very low voltage input The application of LEDs to create light offers many opportunities to make, not only substantial savings in cost of general lighting, but also a significant reduction in environmental impact over conventional mains power generation. Light Quality: The quality of the LED white light can be tailored to suit the human eye, eliminating the eye strain that can have adverse and costly implications in certain working and living environments together with Health and Safety issues. LEDs do not produce ultraviolet light (however there are UV variants) and can be perfectly matched to a specific colour rendering index.

2014-01-01T00:00:00Z Вольська, Світлана Олексіївна http://dspace.tnpu.edu.ua/handle/123456789/18862 2021-06-10T13:54:09Z 2014-01-01T00:00:00Z

Назва: Народна тематика у творчості художників Тернопільського фарфорового заводу Автори: Вольська, Світлана Олексіївна Короткий огляд (реферат): У статті проаналізовано особливості формотворення та декорування виробів художників Тернопільського фарфорового заводу, які у своїй творчості зверталися до традицій народного мистецтва. Виявлено, що різноманітні техніки декорування впливали на художню виразність творів, а творчість митців відповідала тогочасним естетичним реаліям.; В статье проанализированы особенности формообразования и декорирования изделий художников Тернопольского фарфорового завода, которые в своем творчестве обращались к традициям народного искусства. Выявлено, что различные техники декорирования влияли на художественную выразительность изделий, а творчество художников отвечало эстетическим реалиям того времени.; The opening of Ternopil Porcelain Factory in 1964 provided the people of Ternopil region and Western Ukraine with porcelain tablaware. The appeal of formation and decorating of products to folk subjects in 1960–1980 was especially actual. Crafts in Ukraine were developing actively at that time. They were: artistic woodworking, decorative painting, artistic embroidery. Artistic expression of porcelain wares depends on plastic-textured production and manner of decoration. To enrich the artistic expression masters potters tried to use technical modeling capabilities, to expand product range and decorating techniques. Mass production, somewhat low logistics predetermined some limitations in the artists’ work. One of the best examples of the factory production was decoration «Narodny Uzor» (National pattern). It was marked with a high skill styling of Ukrainian painting, designed by the first major artist of the factory Peter Tarasenko, to the tea set «Ranok» (Morning). The shapes of teapots resemble pottery (pitcher, pot), which especially brings together service and folk art. Lyubov Kostenko applied motifs of decorative woodcarving in design of porcelain wares, as shown in decals figure «Melodii Karpat» (Melodies of the Carpathians) to the set of dishes «Medobory» and souvenir kumanets «Verkhovyna». The complexity of centric composition is combined with definition of geometric-floral ornaments and monochrome of ocher-brown palette. The leading artist of factory Vitaliy Horolyuk often turned to the origins of folk art in decorating and shaping his handiworks. He produced kumanets, pleskanky, barrels, decorative plates, gift vases and sets, that were adorned with motifs of Ukrainian decorative painting (Cossacks, birds, floral compositions and their combination). Petrykivsky painting is especially impressive on large gift vases in traditional yellow-red-green coloration. There are clearly traced Ukrainian motifs in the works of artist Mary Tereshchuk. She has designed a decoration to the kitchen set «Vesillya» (The Wedding), in which the story is taken from tile and pottery made by the known master of painted ceramics of the XIX century Oleksa Bakhmatyuk from Hutsulshchyna. Mary Tereshchuk often applied to the samples of Ukrainian folk embroidery. The geometric pattern «Prykarpattya» (Carpathian) for the set of dishes «Medobory» was created as embroidery and done in four colors - red, black, brown and yellow. We can see the same appeal to the motifs of folk embroidery with oblique interpretation of black and red images, seen in the figure «Vyshyvanka» (Embroidery), using which she has decorated set of dishes «Romashka» (Daisy). The color palette and compositional method of decoration are typical for Borschiv embroidered shirts. The artist represented natural and architectural landscapes of her native city in thematic compositions «Ternopilski krayevydy» (Ternopil views), and folk motifs in «Malyovnycha Ukrayina» (Picturesque Ukraine). In the last one there is a depiction of song creativity of Ukrainian people, including the famous song «Nese Galya vodu» (Galya brings the water). In gift produсts of the factory we see the reference to a theme of Cossack’s period. Gift set «Cozatska zbroya» (Сossack’s weapon) Volodymyr Spytsya and decoration plates «Hetmany Ukrainy» (Hetmans of Ukraine) Olesya Tomkiv show national tone creative search artists. Gift set «Cozatska zbroya» made in the form of Mace, a symbol of the Hetman’s power, and two tubes for the area. Thus, the creation of artists of Ternopil Porcelain Factory was closely associated with inexhaustible traditions of folk art. The appeal to the principles of folk subjects in the years 1960-1980 in Ukraine was especially actual. To provide aesthetic value of products most artists used various plastic-textured solutions and decorating techniques based on the color palette decoration. Decoration and shaping of porcelain made by artists P. Tarasenko, V. Horolyuk, L. Kostenko, M. Tereshchuk, V. Spytsya, O. Tomkiv was based on appeal to the traditional folk pottery designs, embroidering, art woodworking, decorative painting.

2014-01-01T00:00:00Z Волошенко, В. О. Волошенко, О. М. http://dspace.tnpu.edu.ua/handle/123456789/18861 2021-05-20T11:38:42Z 2014-01-01T00:00:00Z

Назва: Використання художнього металу в інтер’єрах громадських будівель міста Києва другої половини ХХ століття Автори: Волошенко, В. О.; Волошенко, О. М. Короткий огляд (реферат): У статті розглянуто гармонійне використання художнього металу в інтер’єрі громадських споруд міста Києва другої половини ХХ ст. Висвітлено коротку характеристику художньо-декоративних творів з металу як елемента збагачення й наповнення загального образу предметно-просторового середовища.; В статье рассмотрено гармоничное использование художественного металла в интерьере общественных зданий города Киева второй половины ХХ в. Дано краткую характеристику художественно-декоративных произведений из металла как элемента обогащения и наполнения общего образа предметно-пространственной среды.; The article deals with the harmonious use of artistic metal in the interior of public buildings in Kyiv in the second half of the twentieth century. Briefly covers 60–70 years. The role of artistically ornamental piece of metal in the interior of public buildings of the late twentieth century is determined. The creative experience of decorative and applied arts masters that worked in artistic metal technic is generalized. Owing to this kind of art they created a special world filled with images that evoked both meditation and deep feeling that became the pride of the national culture. The works of artists were admired, argued that the Ukrainian decorative art is a phenomenon, an essential and integral part of the national art. Among the artists of that time, the most famous are : V. Borodaev (portraits of Lenin and the heroes of the pioneers made for the Kiev Palace of Pioneers), A. Domnych (panel «Wave» – to store «Ocean» in Kyiv ) O. Mylovzorov (composition of forged metal – to interior station «Korniichuk Prospekt» in Kiev Metro), V. Grigorov (panel « Kyiv» – to lobby in hotel « Kyiv»), O. S. Yerzhykovskyi (panel – for the Palace of Culture of aircraft factory in Kyiv), L. Meshkova (grid – for a hotel «Rus» in Kyiv), A. Mylovzorov ( partition – door – to lobby in Kyiv Philharmonic , and metal chandelier – for interior restaurant «Oaks» in Kyiv ), N. Ponomarenko (panel «In a single family» – for interior Kyiv branch of the State Museum of Lenin ), A. Gaydamak (metal reliefs – for hotel «Mir» in Kyiv). Briefly covers the interior of public buildings: hotels, catering and trade services, culture and museums. For the decoration of these buildings metallic artworks as a decorative material were used. Among the works were selected as heavy and light delicate forms, which are characterized by dynamism and elegance pattern. In the decorative and applied arts a large number of metals that have many technological and decorative properties were applied and used a variety of techniques and methods of human processing. While manufacturing the works of art the most widely spread casting, forging, stamping (embossing), engraving, tula and others. Metal artists knowing it carefully used them in creating their author works. They produced such works of art from metal as the reliefs, panels, gratings, partitions doors, chandelier and various decorative compositions. Skillfully were combined with metal other decorative materials - porcelain, monotonous and colored glass, wood. Widely were used such metals as copper, aluminum, iron (steel or cast iron), etc. In the investigation was established that in the 60’s was created entire series of thematically purely decorative works, which can be considered graphics of metal, in the late 60’s retrievals of decorations technics, new images, ideas and themes led to the creation of metal artworks for the interior of public buildings, in the 70’s artists used metal not only for flat panels and chandelier but also began to create three-dimensional decorative compositions. In the article a brief description of art and decorative works of metal as element of enrichment and filling general image of object spatial environment is given. Their role in the creation of harmonic content of the apartment where each piece shows the best achievements of the past, interesting intersections of history, certain features and extraordinary kindness and generosity of the Ukrainian artists soul is defined.

2014-01-01T00:00:00Z